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First published in 1999, Chambers explores English etching changed
that radically during the nineteenth century. This book looks into
the freedom and directness of the etching process became a key
plank in a sustained attempt to raise the status of etching in
Britain spearheaded by artists such as Francis Seymour Haden and
James McNeill Whistler and members of the Etching Club. An Indolent
and Blundering Art? Opens with a description of the use of language
and art criticism to redefine etching
First published in 1999, Chambers explores English etching changed
that radically during the nineteenth century. This book looks into
the freedom and directness of the etching process became a key
plank in a sustained attempt to raise the status of etching in
Britain spearheaded by artists such as Francis Seymour Haden and
James McNeill Whistler and members of the Etching Club. An Indolent
and Blundering Art? Opens with a description of the use of language
and art criticism to redefine etching
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